BIO

Cristina Lei Rodriguez (b. 1974, Miami, Florida) forces commercial materials into an urgent hybridity, one modeled on nature’s heroic efforts to adapt, thrive, decay and evolve.  Control and chaos fight for dominance in these stilled landscapes, capturing an ephemeral moment in time; producing a specimen for further study. Form and scale are determined by identity, condition and the experience of making in the cultural landscape of the American tropics. In these botanical curiosities painting, sculpture and architectural facade manifest as details holding the stories lineage and surface tension. 

Cristina Lei Rodriguez’s art has been exhibited internationally and nationally at museums, institutions and galleries such as the Serpentine Gallery (London), Brooklyn Academy of Music (New York), Galerie Emmanuel Perrotin (Paris, Miami), Team Gallery and Deitch Projects (both New York), Blum and Poe (Los Angeles). Rodriguez’s work is included in the permanent collections of The Metropolitan Museum of Art (New York), Astrup Fearnley Museum of Modern Art (Oslo), Perez Art Museum Miami, The Bass (Miami), among others. Rodriguez has completed public works for Art in Public Places at the Westchester Art and Cultural Center and the Miami International Airport. Her work has been reviewed by Elle, Vogue, The New York Times, Financial Times, Wallpaper, The New Yorker, Modern Painters, and Arte al Día International.


CV

CRISTINA LEI RODRIGUEZ

Born in 1974, in Miami, FL, lives and works in Miami, FL

EDUCATION 

2002 MFA, California College of Art, San Francisco, CA
1996 BA, Middlebury College, Middlebury, VT, 

SOLO EXHIBITIONS & PROJECTS

2022 Sun Scans New Growth, MIA Galleries, Miami International Airport
2020 Digitizing the Phenomena of Nature (Orchids at Sunrise), Miami Design District
2019 Royal Poinciana (a micro/ macro study), The Business School at University of Miami, FL
2019 Pop-Up, Miami Design District, FL
2017 Crystalized, Tod’s, Miami, FL
2016 Cristina Lei Rodriguez, Sotheby’s, Miami, FL
2015 Agency, Guccivuitton, Miami, FL
2014 Gold Mine, FAENA Art at Casa Claridge, Miami, FL and Neuberger Museum of Art, Purchse, NY
2014 Polychrome (BAM, 1908), Brooklyn Academy of Music, Peter Jay Sharp Building, New York, NY
2013 Infinite Source, de la Cruz Collection, Miami, FL
2013 Semi-Precious, M Building, Miami, FL
2012 Recover, Brand New Gallery, Milan, Italy 
2011 Change, Fredric Snitzer Gallery, Miami, USA
2011 Through Excess and Ruin, Team Gallery, NY, USA
2011 Forever, Hollywood Art and Culture Center, Hollywood, USA
2008 New Work, Galerie Emmanuel Perrotin, Miami, USA
2008 Overrun, Team Gallery, NY, USA
2007 Struggling for Grandeur, Vizcaya Museum and Gardens, Miami, USA
2006 Endless Autumn, Galerie Emmanuel Perrotin, Miami, USA
2005 Cristina Lei Rodriguez: New Works, Rocket Projects, Miami, USA
2002 Daydreaming in the California Landscape, Oakland Museum of California, CA

GROUP EXHIBITIONS
2023 Making Miami, Miami, FL

2022 Rebel/ Re-Belle, Asheville Art Museum, NC

2021 A landscape longed for: the garden as disturbance, Locust Projects, Miami, FL

2020 Everyone Has A Story To Tell, Sagamore, Miami Florida
Combined Strength, Minotti, Miami, FL

2019 The Looks of Freedom II, For Freedoms and Blackpuffin, Untitled Art Fair, Miami
A Shared Platform, Collective 62, Miami, FL
Collabo6 - All In!, Miami, FL

2015 100+ Degrees in The Shade: A Survey of South Florida Art, Miami, FL 33155
GOLD, Neuberger Museum of Art, Purchase, NY
GUCCIVUITTON, Institute of Contemporary Art, Miami, FL
White on White, Design Pub, Miami, FL

2014 GOLD, Bass Museum of Art, Miami, FL
Santos: A David Castillo Pop Up, David Castillo Gallery, Miami, FL
#101MANMADE, Design Pub Fair, Miami, FL

2013 War Baby/ Love Child: Mixed Race Asian American Art, Wing Luke Asian Museum, Seattle, WA
War Baby/ Love Child: Mixed Race Asian American Art, DePaul Art Museum, Chicago, IL
A Discourse on Plants, RH Gallery, New York, NY

2012 StoreFront, de la Cruz Collection and The Miami Design District, Miami, FL
Store Windows (Walgreens, South Beach), TC: Temporary Contemporary, Bass Museum of Art, Miami, 
Store Windows: Live Transmission in collaboration with Erin Ellen Kelly, TC: Temporary Contemporary,  
Bass Museum of Art, Miami, FL

2011 In the Name of the Artists, Astrup Fearnley Collection,
Bienal pavillion, São Paulo, Brazil
Liquid Matter, The Fabric Workshop, Philadelphia, PA
Aesthetics and Values, Frost Art Museum, Miami, FL 

2010 Paper, Fredric Snitzer Gallery, Miami, FL 
Spreading the Influence, Olin Art Gallery at Kenyon College, Gambier, OH

2009 Greenhouse (Prinz Valdemar, 1926), Art Basel Miami Beach, Art Projects, Miami, FL
de la Cruz Collection, Miami, FL
Workshop Workshop, Design Miami, Miami, FL
Hotel Paradies, Heaven, 2nd Athens Biennale 2009, Athens, Greece
Il Giardino del Lauri: The Angela and Massimo Lauro Collection, Perugia, Italy
And the fair MOON rejoices -Contemporary Visionaries in the Wake of Blake, Boston Center for the 
Arts, Boston, MA
Recent Acquisitions, Miami Art Museum, Miami, FL
Cintas Fellow Exhibition, Frost Art Museum, Miami, FL
Born in the Morning, Dead by Night, Leo Koenig, New York, NY
In the Garden at 4am, Gana Art, New York, NY

2008 Possibility of an Island, Museum of Contemporary Art, Miami, FL 
Uncertain States of America, Songzhuan Art Center Beijing, China 
Red Wind, Blum and Poe, Los Angeles, CA 
Nature Morte, Roher Fine Art, Laguna Beach, CA
Detour, Printemps Design au Centre Pompidou, Paris, France

2007 CCA: 100 Years in the Making, Oakland Museum of California, Oakland, CA 
Homegrown, David Krut, New York, NY
Foam of the Daze, Smith Stewart, New York, NY
Other Worlds: The Landscape in Contemporary Art, Museum of Contemporary Art Jacksonville, FL 
Uncertain States of America, La Musée de Sérignon, Serignan, France 
Uncertain States of America, The Herning Art Museum, Herning, Denmark, 
Uncertain States of America, The Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland

2006 Heartbreaker, Mary Boone Gallery, New York, NY
Uncertain States of America, Reykjavik Art Museum, Reykjavik, Iceland
The Art Parade, Deitch Projects, New York, NY
Uncertain States of America, Serpentine Gallery, London, England
Trenton Duerksen, Leandro Erlich, Cristina Lei Rodriguez, Martin Oppel...,Galerie Emmanuel Perrotin,  
Paris, France
The Garden Party, Deitch Projects, New York, NY
Uncertain States of America, Center for Curatorial Studies, Bard College, NY 
Contamination, Centro Cultural Español, Miami, FL, curated by Gene Moreno 

2005 The Yard@ CasaLin, with Shane Aslan Selzer, Miami, FL
Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo, Norway curated by Daniel 
Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran
Beautiful Debris, Heather Marx Gallery, San Francisco, CA 
At This Time, Rubell Family Collection, Miami, FL, curated by Mark Coetzee 

2004 Reclaiming Ruins, Rubell Family Collection, Miami, FL 
Material Faith, Kontainer Gallery, Los Angeles, CA 
Pattern Playback, The Moore Space, Miami, FL, curated by Silvia Cubiña 
Young Miami, Annina Nosei, New York, NY 
Gypsies Curse, Wormhole Laboratory, DACRA, Miami, FL 
Dr. Moreau Explains, Stray Show, Wormhole Laboratory, Chicago, IL
If You Believe Hard Enough, Rocket Projects, Miami, FL

2003 Enchanting Intruder, Rocket Projects, Artist Project, Miami, FL
Haunted, Wormhole Laboratory, Group Exhibition, Miami, FL
Trespass, Insight Gallery/Diaspora Vibe Gallery, Group Exhibition, Aruba
Popped, WORKS/SAN JOSE, Performance Event, San Jose, CA 
Fictional Science, Here/ART, Group Exhibition, New York, NY 
Fantastical Spaces, Frightful Places, Oakland Museum of California, Oakland, CA

2002 Arte Latino: the Smithsonian Collection, Oakland Museum of California, Oakland, CA
1111, California College of Arts and Crafts, MFA Exhibition, San Francisco, CA
FUEL, Group Exhibition, California College of Arts and Crafts San Francisco, CA 
Coast, Group exhibition, A Bernal Heights, PONY Show, San Francisco, CA

2001 Think Again, Southern Exposure, juried by Miwon Kwon curator, San Francisco, CA
Time, Honolulu Academy of Arts, Group exhibition, Honolulu, HI,


PUBLIC ART COMISSIONS
2022 Nature Studies in Three Works 2020-2022, Miami International Airport
2022 Homegrown, Westchester Cultural Arts Center, Miami, FL 
2018 Glasswinged Butterfly, Coconut Creek, FL
2017 The Fitzgerald, Tampa, FL

COLLECTIONS:

Metropolitan Museum of Art, New York
Astrup Fearnley Museum of Modern Art, Oslo
Perez Art Museum Miami, Miami
The Bass, Miami
de la Cruz Collection, Miami
Rubell Collection, Miami
Boca Raton Museum of Art
NSU Ft Lauderdale Museum of Art, Ft. Lauderdale
Frost Museum of Art, Miami

BIBLIOGRAPHY

Christina Perez, “Art Basel Miami Beach: The Multidisciplinary Artist: Cristina Li Rodriguez”, Elle Magazine, September 2022
Janet Batet, "Miami Art Week 2019", hypermediamagazine.com, December 17, 2019
Cristina Lei Rodriguez, Act Natural: A Retrospective of Work 2003-2018, TRA Publishing 2018
Sara Liss, “de la Cruz Collection”, Conde Nast Traveler, August 27, 2017
Rebecca Kleinman, “Tod’s Opens Second Store in Miami Design District”, WWD, February 10.2017
“These were the 5 Best Things at Art Basel Miami Beach 2016”, Vogue Magazine, December 5, 2016
Andrew Nunes, “Nature Devours Art In A Series of Eco Sculptures”, Vice magazine, June 10, 2016
“The Maker: Cristina Lei Rodriguez”, Luxe. Interiors + Design, October 2015
Santiago Sini, “Cristina Lei Rodriguez: Agency”, Miami Rail, Fall 2015
Brendan O’Connor, “Winter Park’s Central Park to host seven large-scale sculptures”, September 14, 2015
“Art”, Muses and Visionaries Magazine Vol 12, October 2015
Ciara Lavelle, “Guccivuitton turns consumerism into art”, Miami New Times, June 2, 2015
Ricardo Mor, “A Collesion of Art and Commerce”, Miami Herald, May 22, 2015
Anne Tschida, “Let’s get real with the artificial”, www.knightarts.org, March 2, 2011
Anne Tschida, “Forever. Cristina Lei Rodriguez”, www.mag-magazine.com, March 2011 
PLUM TV, “Artist Profile: Cristina Lei Rodriguez”, www.plumtv.com, December 1, 2010
Adriana Herrera Téllez, “Panorama of Emerging Latin American Art”, Arte al dia International #131, June 8, 2010, p. 50-61
Paul Laster, “Fair City: Art in Miami”, www.flavorwire.com, December 3, 2009
Anny Shaw, “Cristina Lei Rodriguez fills geodesic dome with death, decadence and decay”, Art Newspaper, December 2, 2009
Lydia Martin and Fabiola Santiago, “Art Basel Miami Beach raises area’s profile but few local artists get picked for the show”, Miami Herald, November 30, 2009
Jim Syss, “Art Basel a boon for South Florida Art Scene”, Miami Herald, November 30, 2009 
Brett Sokol, “ Rehousing a Miami Collection”, New York Times, November 29, 2009
Cate McQuaid, “Chase reasy for new surroundings”, Boston Globe, July 29, 2009
Thomas Hollingworth, “At Large: Cristina Lei Rodriguez”, www.artlurker.com, April 20, 2009
Irina Leyva Perez, “Possibility of an Island”, Wynwood Magazine, February, 2009
Thomas Holingworth, “Possibility of an Island at MOCA at Goldman Warehouse”, www.artlurker.com, January 30, 2009
Fabiola Santiago, “Island forcasts a bleak future”, Miami Herald, January, 9, 2009
Thomas Hollingworth, “Art Basel Miami Beach 2008 Studio Visits: Cristina Lei Rodriguez”, www.artlurker.com, December 3, 2008
Holly Myers, “Contradictions and Complexities”, Los Angeles Times, July 18, 2008
Victor Barrenechea, “Artificial Life”, Biscayne Times, April 2008 p. 36-37
Alfredo Triff, “Cristina Lei Rodriguez y Gavin Perry, Esculptura Acumulativa y Pintura Geometrica” El Nuevo Herald, May 4, 2008
Carlos Suarez de Jesus, “Flower Derangement” Miami New Times, April 28, 2008
Mark Coetzee and Mark Clintberg, “Mark Coetzee and Mark Clintberg dialogue via SMS: the work of Cristina Lei Rodriguez”, art.es, No 22, p. 34- 38
Mark Coetzee and Mark Clintberg, “The Entropic Archive”, Arte al Dia, p. 40- 45
Lauren O’Neil Butler, “Cristina Lei Rodriguez, Team Gallery”, Time Out New York, February 7- 13, 2008, p.76
Fabiola Santiago, “Miami sculptor goes solo…,” The Miami Herald, January 19 
Julie Kay, “Return of the Native”, Closer Magazine, February 2008
R.C Baker, “Best In Show”, The Village Voice, January 2008
Tali Jaffe, “Cristina in Wonderland”, Inside Out Magazine, January 2008, p. 68-69
Emma Trelles, “Delicatessen exhibit heavy on eye candy, intrigue”, The Sun Sentinel, January 2008
Mark Ellwood, “THE REMIX; Silly Putting”, New York Times, December 2, 2007
Tony Ozuna, “Altered States”, The Prague Post, December 2007
Brett Sokol, “Family’s collection just full of surprises”, Miami Herald, December 2007
Anne Tschida, “Grotesque Beauty”, 944 Magazine, November 2007, p. 54-56
Fabiola Santiago, “Ode to Vizcaya and its fraying edges”, Miami Herald, November 2007
Ossian Ward, “Futurism”, Wallpaper*, October, 2006, p. 242-250
Alix Sharkley, “Almost Famous”, Ocean Drive Magazine, October, 2006
Jackie Wullschlager, “Bright, brash, unmissable: the US legacy”, Financial Times, September 14, 2006
Elisa Turner, “Young at art: Miami’s emerging visual arts scene draws young pros from more established cities”, The Miami Herald, September 10, 2006
Benjamin Genocchio, “How Young Europeans View America’s Uncertain State”, The New York Times, July 9, 2006
Nick Hackworth, “Cultural Scrap Merchants”, Evening Standard, September 12, 2006
Ossian Ward, “Young Americans”, www.deutsche-bank-art.com/art/assets/print_artmag.php?lang+en&id=476
Adrian Searle, “Rebels without a cause”, The Guardian, September 12, 2006
Elisa Turner, “Reviews: “Cristina Lei Rodriguez,” Art News, Summer 2006, pg. 189
Edward Leffingwell, “ Review of Exhibitions: The Garden Party,” Art In America, June/July, pg. 197-8
Ken Johnson, “Art Review: The Garden Party,” New York Times, April 21, 2006
Elisa Turner, “Critics Pick,” Miami Herald, March 31, 2006, pg. 35
Carlos Suarez De Jesus, “Anything Goes,” Miami New Times, March 30, 2006 pg. 48
Brett Sokol, “Beyond Basel: Local Galleries...” Miami Herald, May 7, 2006
Martin Coomer, “The Garden Party,” Modern Painters, June, 2006, pgs. 110-112
Carlos Suarez De Jesus, “Latino Arts Afire,” Miami New Times, March 29, 2006
Alfredo Triff, Miami Arts Explosion, The New Times Column, 2006 Thomson Custom Solutions
Jose Diaz, “Art by the Yard”, The Art Newspaper, Dec. 2, 2005
Margery Gordon,” The Greenhouse Effect”, Art + Auction, November 2005 p.112
Omar Sommereyns, “Miami Calling” The Sunpost, p.33 December 1, 2005
Uncertain States of America: American Art in the 3rd Millennium, Astrup Fearnley Museum for Modern Art, 2005 p.92-93 p.164-165 
Amalia Caputo, “At This Time: 10 Artists from the Rubell Family Collection”, Arte al Dia, 2005
Alison Bing, “Beautiful Debris”, SF Gate, August 20, 2005
Nirmala Nataraj, “Trashed: Artist’s Treasures”, SF Weekly, July 20, 2005
K. Lee Sohn, “Trouble with Miami Art Now”, Biscayne Boulevard Times, June 2005
Elisa Turner, “Global Art Locally”, The Miami Herald, June 26, 2005 
Alfredo Triff, “Cracking Stereotypes”, Miami New Times, June 2, 2005 
Doug Meyer, “Art Smart”, Home & Design, Miami Herald, May, 2005 
Eileen Spiegler, “Cristina Lei Rodriguez: New Work”, The Miami Herald, Tropical Life, March 4, 2005, p. 37
Omar Sommereyns, “Cristina Lei Rodriguez”, Miami New Times, March, 2005 
Franklin Einspruch, “Around Town: Miami”, NYFA Interactive, October 2004
Marisol Martell, “Art Chicago: Chicago” Art Nexus, No. 54, Volume 3, 2004, p. 129
Finkel, “Miami Beach in December: Cool Stuff”, Art in America, December, 2004 Louisa Buck, “Please form an orderly Queue”, The Art Newspaper, December 5, 2004 
Gene Moreno, “If you believe hard enough…” ArtUS, September- October 200, p. 15
Alfredo Triff, “Two Postmodern Nightmares”, Miami New Times, October 7, 2004 
Tony Guzman, “Cristina Lei Rodriguez: Altar Girl”, Sun Post, June 10, 2004
Omar Sommereyns, “Electric Kool-Aid Overload”, Street, April 16-22, 2004 Gary Pini, “Art Basel Miami 2003, Paper Magazine, January, 2004
Damarys Ocana, “Tales of Suspense”, Street, December 26, 2003- January 1, 2004 
Alfredo Triff, “Mortality Rules”, Miami New Times, January 1-7, 2004
Miguel A. Sirgado, “Muestras Paralelas de Downtown Wynwood”, El Nuevo Herald, November 22, 2003
Ego Trip Magazine, ” Artist of the Month”, Ego Trip Magazine, December 2003
Ambar Hernandez, “Dark Days”, The Miami Hurricane, December 5, 2003
Megan Lindow, “Cristina’s Worlds”, The Museum of California, winter 2003 p.14-15
Shane Seltzer, “Ultra Baroque SFMOMA, Cristina Rodriguez, The Fabulous Party”, http://spaces.org/rants/ 

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